Teatro

Armchair | Loveseat

Aldo Rossi Luca Meda, 1982

Teatro has the simplicity of a familiar object and the decoration of a tradition not bound by the restrictions of time. Designed for a small theatre in Milan, its name reflects its function.

Design Aldo Rossi
Luca Meda, 1982

The rigour of the frame, in walnut wood or with a lacquered finish, is mellowed by the attention to detail reflected in the proportions, the upholstered surfaces, the barely-there curves and in the curl that frames the backrest.

Design

Luca Meda

Luca Meda wrote an important chapter in Italian enterprise history. He contributed to the design culture of the Molteni Group with great passion and dedication. He was an example of a perfect symbiosis between creativity, business, art and industry. This is something of a paradox for a designer who loves drawing and uses a pencil more than any other tool to describe and reinvent reality. Since the late 70's Luca Meda was dedicated to the design of ranges. He created furniture which became icons. With Aldo Rossi he created the Piroscafo bookshelf, the Zim chairs and the Ho armchair, the Vivette armchair, the Primafila sofa, the 505 programme and the Pass system.

Complete biography

"Simplicity is not good in itself, but there surely is a type of simplicity that comes from generations of work."

Luca Meda

Design

Aldo Rossi

Aldo Rossi (Milan, May 3, 1931 - Milan, September 4, 1997) was one of the greatest Italian architects of the 1980’s. His Molteni Group collaboration marked his passage from masterful architect to an industrial designer. He created models and furnishings for the Museum of Maastricht, the Teatro Carlo Felice in Genoa and the reconstruction of the Teatro La Fenice in Venice. Aldo Rossi designed items that were destined to become icons of the 20th century.

Complete biography

"Perhaps it is snobbery but the more I see the world, the more I feel being a citizen of it and the more I want to go back to the old way of things"

Aldo Rossi